Jevan McAuley studied at the Guildhall School of Music & Drama under the tutelage of David Pollard.
He completed his Bachelors of Music in 2014 and went on to complete his Masters in 2015.
Jevan is currently a Young Artist at The National Opera Studio in London.
Operatic roles include Don Giovanni Don Giovanni (Rogue Opera), Baritone Soloist Bernstein à la carte (Wexford Festival Opera), Guglielmo Così fan Tutte (Opera Holloway & King’s Head Theatre), Tom Un Ballo in Maschera (Iford Arts), Sid Albert Herring (Guildhall School), and covering the roles of Pallante Agrippina (The Grange Festival), Fiorello Il Barbiere di Siviglia (The Grange Festival), Morales Carmen (The Grange Festival), Belcore L’elisir d’Amore (Norfolk Into Opera Festival), and Achilla Giulio Cesare (Bury Court Opera).
Jevan has also appeared as a soloist in many oratorio
and concert works, including Merry Opera’s staged Messiah, Cornelius Cardew’s Ode Machines at the Southbank Centre, Bach's Magnificat, Haydn’s Creation, Handel’s Israel in Eygpt, Handel’s Messiah, Mozart’s Requiem, Vaughan Williams’ Five Mystical Songs, and Vaughan Williams’ Fantasia on Christmas Carols.
During the Summer Season of 2020 Jevan was scheduled to be performing the roles of Zeretsky & The Captain in Eugene Onegin for Opera Holland Park. This has unfortunately been postponed due to COVID-19.
Jevan is an Opera Prelude Young Artist, and in March this year won the 2020 Singers Prize.
Upcoming engagements include Tarquinius (The Rape of Lucretia) and Mr Redburn (Billy Budd) in a selection of Britten Scenes in collaboration with Keith Warner at the end of 2020 and a solo Lunchtime Recital in the New Year at The National Opera Studio. Jevan will also be performing in Opera Scenes with Scottish Opera, Welsh National Opera and Opera North in 2021.
Jevan is kindly supported by Opera Prelude, The Clemence Charitable Trust, The Oppenheim-John Downes Memorial Trust, and is a recipient of the Sybil Tutton Opera Award from Help Musicians. His studies at The National Opera Studio are supported by The Nicholas John Trust.